Der Sturz vonPhaeton 1605
The National Gallery of Art, Washington DC 1605 Die Nationale Galerie der Kunst, Washingtons GLEICHSTROMS Flemish Baroque Era Painter, 1577-1640
Gemälde ID:: 62908
The Fall of Phaeton 1533 Chalk British Museum, London In Greek mythology Phaeton was the son of Helios, the sun-god. Helios drove his golden chariot, a 'quadriga' yoked to a team of four horses abreast, daily across the sky. Phaeton persuaded his unwilling father to allow him for one day to drive his chariot across the skies. Because he had no skill he was soon in trouble, and the climax came when he met the fearful Scorpion of the zodiac. He dropped the reins, the horses bolted and caused the earth itself to catch fire. In the nick of time Jupiter, father of the goods, put a stop to his escapade with a thunderbolt which wrecked the chariot and sent Phaeton hurtling down in flames into the River Eridanus (according to some, the Po). He was buried by nymphs. Phaetons's reckless attempt to drive his father's chariot made him the symbol of all who aspire to that which lies beyond their capabilities. The fall of Phaeton was a popular theme, common in Renaissance and Baroque painting, especially on ceilings in the later period. Phaeton, the chariot, and four horses, reins flying, all tumble headlong out of the sky. Above, Jupiter throws a thunderbolt. Artist: MICHELANGELO Buonarroti Title: The Fall of Phaeton Date: 1501-1550 Italian , graphics : religious b Caprese 1475 d Rome 1564
Gemälde ID:: 72020
The Fall of Phaeton Peter Paul Rubens: The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608
Oil on canvas, 98.4 X 131.2 cm (38 3/4 X 51 5/8 in.)
Flemish Baroque Era Painter, 1577-1640
the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect.
He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague.
Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
Gemälde ID:: 86905
The Fall of Phaeton Date 1596(1596)
Medium Oil on wood
Dimensions Height: 122.5 cm (48.2 in). Width: 66.5 cm (26.2 in).
cjr the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect.
He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague.
Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
Joseph Heintz the Elder the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect.
He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague.
Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
The Fall of Phaeton
